CΩT (Part 22, Scene 1)

I’m back in the woods, back between the towering, living trees, their outstretched arms a welcome departure from the stark shininess of the humans’ city. How could anyone prefer such sterility to the teeming life of the forest? Even as I think this, the feel of the woods I’m within is not as wild as those of my kitten-hood, no doubt a byproduct of their proximity to the human apartments. I guess I’ll just have to go a bit deeper. My body elongates as I pick up speed, zig-zagging through the trees and leaping over the undergrowth that attempts to impede my movement in vain. Startled birds scatter from their perches at my passing, but these tempting little morsels are unnecessary after my meal made of the delicious water-dweller, the strong taste of which is still upon my tongue. I pause once I’ve passed far enough into the wilderness for my liking and look around. Though I can sense activity, much of it is either subdued or far away. Nothing much happens during the day anyhow, so I decide to take a nap ’til nighttime. I pick a tree and scale it until I find a spot suitable for slumber. Locking my claws into the tree-skin, I close my eyes, wrap my tail ‘round myself, and it’s not long before I pass into sleep.

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CΩT (Part 20)

At some point in the night Carly picks me up from my sleep spot and I see that we’ve stopped outside a much shorter building than the ones in the city. I hang limp for the time being (in all honesty, I’m still more than half asleep at this point). We move toward the front of the building, where there is a small light that shines through one of the windows. The door in the center of the front of the house opens and an older woman stands framed by the light from within.
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CΩT (Part 19)

I arrive back at Chuck and I’s building but do not see her car, so I wait outside her door. A few other humans pass me by and go into their own spaces in the building, lights appearing through their windows once they close their entrance walls. I hide inside when they pass by, coming back out only when they’re gone. It is tempting to follow them, but going by Sophia’s reaction to my intrusion before, they might not take too friendly to an unknown cat. Maybe when they leave I can check some of their places out, see how they compare to Chuck’s.
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CΩT (Part 18)

The human that enters is an older female, white haired and with somewhat wrinkled skin but standing as upright as any I’ve seen. She drops a lumpy-looking bag off to the side and then calls out. Sophia’s ears twitch but she does not move from her perch, instead talking back to her human.

“Over here, Gladys!” she says, and the human turns and sees her, bending slightly and beckoning with her hands, speaking words that will hopefully soon mean more to me than the babbling that they sound like. Sophia remains seated. “You have to come over to me today! Sorry.” Read on →

CΩT (Part 17)

Okay, maybe it was more like a thunderclap. Either way, almost as soon as the tool roars, I feel something hit me right in the forehead. There is a sensation that I don’t really recognize, and then a tiny metal disk falls to the floor in front of me. The eyes of the human whose tool roared are very wide now. I get the sneaking suspicion that that was supposed to kill me. It certainly caught me off guard– I’ll have to be more careful next time something is pointed at me. But more importantly, I am pissed. These guys were already pushing it with all the yelling and now this? There is another roar, but this time I’m ready, and I watch the little metal spike that is launched as it flies toward me, rotating as it comes. Read on →